劇情縱覽
雅梅和業務員文海交往,遭母親反對,雅梅的母親不幸發生車禍,須一筆龐大的醫藥費,文海便趁機要雅梅下海當酒女,雅梅才發現文海的真面目,傷心之餘還慘遭混混輪暴…
雅梅和業務員文海交往,遭母親反對,雅梅的母親不幸發生車禍,須一筆龐大的醫藥費,文海便趁機要雅梅下海當酒女,雅梅才發現文海的真面目,傷心之餘還慘遭混混輪暴…
上野樹里と林遣都の共演により、第14回小説現代長編新人賞を受賞したパリュスあや子の小説「隣人X」が映畫化?!鸽O人X 疑惑の彼女」のタイトルで12月1日より東京?新宿ピカデリーほか全國で公開される。
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.
標題中的「ぶぶ漬け(お茶漬け)どうどす」是一句眾所周知的京都表達,京都人常用這句話以委婉的方式傳達「差不多該告辭了」的意思。電影《ぶぶ漬けどうどす》以此為主題,展現了因京都特有的縣民性而引發的各種鬧劇,并展開了一段充滿喜劇色彩的故事。影片以從東京嫁到京都老字號扇子店的自由撰稿人澁澤まどか為主人公,描繪了〈京都人〉與從東京而來的〈外地人〉之間的攻防與沖突。