愛上岳母大人
安東尼（文森特·林頓 Vincent Lindon飾）和賽波琳娜（瑪?shù)贍柕隆と嵋?Mathilde Seigner 飾）即將攜手步入婚姻的殿堂，賽波琳娜的母親蕾雅（凱瑟琳·德納芙 Catherine Deneuve 飾）早年間和丈夫離了婚，之后一直過著自由自在的生活，個(gè)性風(fēng)趣而又開朗的她竟然在女兒女婿的結(jié)婚慶祝會(huì)上搞起了花樣，惹得眾人捧腹，她特立獨(dú)行的風(fēng)格深深吸引了安東艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。
即刻觀影
劇情賞析
編輯推薦
殺人漫畫
嚴(yán)基俊,李施吟,金顯祐,吳光祿當(dāng)紅網(wǎng)絡(luò)恐怖漫畫作家姜知允（李詩(shī)英 飾）新作接連問世，備受好評(píng)。而生活中她似乎越來越分不清現(xiàn)實(shí)和虛幻的界限，不僅經(jīng)常遭遇極度逼真的恐怖噩夢(mèng)，身上還常出現(xiàn)莫名其妙的傷口。某個(gè)夜晚，姜作家的責(zé)編徐美珍以極其殘忍的方式自虐身亡，而其死亡過程和現(xiàn)場(chǎng)慘狀竟與姜作家不久剛剛發(fā)給她的新作內(nèi)容如出一轍。未過多久，又發(fā)生了一起和漫畫內(nèi)容相似的殯儀館殺人事件。盆唐警局刑警琪哲（嚴(yán)基俊 飾）和后輩金永秀（金顯祐 飾）介入調(diào)查，并慢慢追蹤到姜作家鮮為人知的背景。 霓虹燈下鬼影幢幢，每個(gè)人心中都有不愿為人知曉的秘密，冤有頭，債有主。因果報(bào)應(yīng)，毫厘不爽……
偽術(shù)奇才
彼得洛·卡斯特里圖,朱莉婭·米切利尼,安德烈·阿坎杰利,Pierluigi Gigante,愛德華多·佩謝,克勞迪奧·桑塔瑪利亞,奧羅拉·喬維納佐,法比齊奧·費(fèi)拉卡尼,Mauro Aversano,弗朗切斯科·拉·曼蒂亞,Michael Schermi,Carlo TozziA noir portrait of Italy in the Seventies.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
怪物計(jì)劃
伊芳·齊瑪,賈斯汀·布恩寧,托比·海明威,Murielle Zuker,Jim Storm,Shayne Eastin,PeiPei Alena Yuan,Shiori Ideta一個(gè)想拍攝出恐怖紀(jì)錄片的劇組在網(wǎng)路上發(fā)布了試鏡公告，表明他們要找尋隱藏于現(xiàn)實(shí)生活中的駭人怪物，沒想到有三個(gè)自稱獸行者、吸血鬼與惡魔的報(bào)名者要前來試鏡。他們相約于月全蝕之夜，在一棟森林中的偏遠(yuǎn)豪宅見面，原本只是要請(qǐng)對(duì)方分享自己的靈異經(jīng)驗(yàn)，沒想到竟弄假成真，變調(diào)成一場(chǎng)揮之不去的恐怖夢(mèng)魘。
加美拉對(duì)大惡獸吉隆
加島信博,秋山みゆき,大村昆,笠原玲子,濱田優(yōu)子,船越英二冒険好きな二人の少年が、宇宙船に閉じ込められ第十惑星に連れ去られ、宇宙人に食べられそうになる。そこにガメラが現(xiàn)れて二人を救う。宇宙人はギロンをけしかけるが、ガメラの敵ではなかった。第3作に登場(chǎng)したギャオスが再登場(chǎng)するが、ギロンにあっさりやられてしまう。
東進(jìn)序曲
李炎,張鐘英,于純綿,張憲,文卜東,王林佳,周正禹,楊兆權(quán),張立法,劉磊,彭奇愚,白鋼,王者,李恩琪,王孝忠,師偉,魏?jiǎn)⒚?叢志軍,張璋1940年，抗日戰(zhàn)爭(zhēng)進(jìn)入了第三個(gè)同時(shí)也是極為艱苦的念頭。中國(guó)共產(chǎn)黨所率領(lǐng)的八路軍和新四軍依照毛澤東同志制定的方針與日本侵略者展開殊死的斗爭(zhēng)，與之形成鮮明對(duì)比的是，國(guó)民黨方面則試圖趁亂限制中共的發(fā)展，從而阻礙了抗戰(zhàn)勝利的前進(jìn)步伐。新四軍挺進(jìn)縱隊(duì)攻占蘇北據(jù)點(diǎn)橋頭鎮(zhèn)，再往前即可踏上東進(jìn)抗日的道路。而在這片國(guó)民黨實(shí)際掌控的地區(qū)，許多頑固派建議趁機(jī)向新四軍發(fā)動(dòng)進(jìn)攻。挺進(jìn)縱隊(duì)司令員孟器宇（張鐘英 飾）與國(guó)民黨代表談判，并成功策反蘇魯皖部第一縱隊(duì)司令周明哲（文卜東 飾）。家國(guó)大義當(dāng)前，中華兒女做出最為正確的選擇……