安娜情欲史
由丹麥導(dǎo)演拉斯-馮-提爾執(zhí)導(dǎo)情色片,釹主角Anna是個(gè)不想受感情束縛,享受自由獨(dú)立生活的釹子,不過與前侽友重逢后,她有一絲心動(dòng),但同時(shí)又掙扎著不想失去好不傛易擁有的自由,其鈡兩人多場(chǎng)情欲戲一次次都以失敗的xing高潮結(jié)束。這部片希望以主角的實(shí)際生活經(jīng)驗(yàn),制造出不同于一般片xing幻想情節(jié)的有質(zhì)感情欲片安娜情欲史是一部很不錯(cuò)的影片,值得一看!
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即興謀殺
李庚希,鄧家佳,劉奕鐵,黃曉明,岳佳頤,趙胤胤,楊皓宇,宗俊濤,呂鑫,龔毅星,于晞悅阿姆魯姆
Jasper Billerbeck,勞拉·湯克,麗莎·哈格邁斯特,Kian K?ppke,拉爾斯·耶森,德特勒夫·布克,馬提亞斯·施維赫夫,黛安·克魯格,德克·伯林,哈克·波姆,Tony Can,Rita Feldmeier,馬克·哈洛夫,Morten Bo Heine,馬克斯·霍普,Polli Leuner,Jorid Lukaczik,Bernd Moss,Florentine Panizza,Thomas Perkins守株人
楊紫,駱達(dá)華,杜奕衡,劉筱筱,林雪,林妙可花月佳期電影版
吳奇隆,楊采妮,葛民輝,張庭,何家駒,劉洵,黎彼得,黃一飛平原上的迷途
菲利波·斯科蒂,塞爾吉奧·羅馬諾,皮耶爾保羅·卡波維拉,羅伯托·西特蘭,安德里亞·彭納基,Simone Bergamasco,Francesco Busolin,Diego De Francesco,丹尼斯·法索洛,Nicola Rossato,Giuseppe Messina標(biāo)錯(cuò)參
洪金寶,鐘鎮(zhèn)濤,王祖賢,梁珊,曹查理,陳友同類推薦
迷失的欲望
靳圣通外表漂亮的子晨?jī)?nèi)心充滿著欲望,漂亮的包包和高檔的手表的加持,子晨在人群中格外顯眼,子晨得到了極大的滿足。然而真正的奢侈品是愛情,子晨開始瞞著自己的丈夫和花花公子開始交往,隨著時(shí)間的推移,債務(wù)暴雷,情感更是騙人的游戲,子晨終于把自己推向了絕境。
驅(qū)魔人:信徒
琳達(dá)·布萊爾,艾倫·伯斯汀,詹妮弗·內(nèi)特爾斯,小萊斯利·奧多姆, 奧利維亞·馬庫姆,安·唐德,莉婭·朱厄特,拉法埃爾·沙巴拉格,諾爾貝特·里奧·布茨,本·布萊頓,克洛伊·特埃考絲,E·J·博尼拉,莉茲·約翰斯頓,丹尼·麥卡錫,安東尼·科隆,諾拉·墨菲,奧奎·奧克波克瓦西里,埃米莉·雷切爾·戈登,塞萊斯特·奧利瓦,特蕾西·格雷夫斯自從他的愛妻12年前在海地大地震發(fā)生時(shí)不幸死于難產(chǎn)之后,維克多·菲爾汀(小萊斯利·奧多姆 Leslie Odom Jr. 飾)就一個(gè)人獨(dú)自撫養(yǎng)他們的女兒安吉拉(莉婭·朱厄特 Lidya Jewett 飾)。 但是當(dāng)安吉拉和她的好友凱瑟琳(奧利維亞·馬庫姆 Olivia Marcum 飾)在樹林中消失不見,三天后卻又突然回家,完全不記得自己發(fā)生了什么事情之后,就引發(fā)了一連串的詭異事件,迫使維克多不得不面對(duì)有邪惡力量作祟的可能性,于是他出于絕望和恐懼,就向唯一親眼目睹這種事卻仍然活著的人求助:克莉絲·麥尼爾(艾倫·伯斯汀 Ellen Burstyn 飾)。
開心勿語
梅艷芳,曾志偉,吳君如,蔡一杰,蔡一智梅家四姐妹父母早亡,多虧大姐大香(梅艷芳 飾)獨(dú)立經(jīng)營(yíng)點(diǎn)心店,妹妹二香(柏安妮 飾)、三香(陳加玲 飾)和四香(袁潔瑩 飾)才能順利完成學(xué)業(yè),出落成開朗可愛、美麗動(dòng)人的大姑娘。三個(gè)妹妹吸引來無數(shù)的追求者,她們也各自找到了心儀之人。然而梅家有個(gè)不成文的規(guī)定,只有大姐出嫁后三個(gè)妹妹才能順序出嫁,偏偏大香不重儀表,脾氣又壞,男人們唯恐避之不及,這可愁壞了三個(gè)愁嫁的女孩。為了讓姐姐早日找到如意郎君,她們和各自的男友商量幫大香物色一個(gè)合適的對(duì)象。 三好小男人曾灶才(曾志偉 飾)被女友愛絲(吳君如 飾)拋棄,傷心欲絕之時(shí),他被三姐妹找來追求冰山美人大香……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
逃離地下天堂
麥克爾·約克,理查德·喬丹,珍妮·艾加特,羅斯科·李·布朗尼,費(fèi)拉·福賽特,小邁克爾·安德森,彼得·烏斯蒂諾夫,Randolph Roberts,Lara Lindsay,Gary Morgan,勞拉·海佩西元2274年人類居住在由電腦控制的城市中,在這個(gè)城市中無優(yōu)無慮,可自由毫無拘束的追求享樂;但到30歲時(shí)每一個(gè)人必須接受考驗(yàn),一個(gè)探究永恒、重生的試煉……