好色成癮
艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuanRuby is a young part-time stripper who wallows in drugs, sex and other excesses in meaningless existence. After meeting with local drug dealer O-Rock in her apartment, she seduces him, takes his drug stash, and splits. In a snowy park, Ruby meets Opala, another young woman who takes her back to her large and posh country house where both women indulge in more drugs and sex with...
即刻觀影
劇情賞析
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黑蜥蜴1962
京町子,大木實,川口浩,葉順子,三島雅夫,目黒幸子,中條靜夫,久里千春亂步作品
哀牢山
閔星翰,付妤舒,霍衛民,鄭嘉廷,索微,王碩,梁晶晶,趙天戈哀牢山靈異事件轟動一時,來自六名露營的高校學生,前往云南哀牢山原始森林。誰也沒有想到一次平常的露營探險任務,竟然成了一次詭異的死亡序曲。他們進入哀牢山地帶僅僅過去幾天,就全部無人生還。比較離奇的是,當搜救者發現這幾位遇難者時,有兩位遇難者的死狀非常詭異!
草莓月亮
當真亞美,齋藤潤,杉野遙亮,中條彩未,中山裕介,田中麗奈,池端杏慈,黑崎煌代,吉澤要人,伊藤健太郎,泉澤祐希,池津祥子,橋本潤,黑島結菜本片改編自同名小說。櫻井萌(當真亞美 飾)從小體弱多病,無法上學,也沒有朋友,每天獨自度過時光。她一直有一個小小的夢想——在自己生日那天,與喜歡的人一起觀賞據說能讓戀人永遠相守的六月滿月“草莓月亮”。然而,15歲那年冬天,她被告知生命所剩無幾。 從醫院回家的路上,萌邂逅了命中注定的人,并下定決心進入高中就讀。入學典禮當天,她在初次見面的情況下,向同班同學佐藤日向(齋藤潤 飾)突然告白,人生第一次戀愛就此開始。終于到了共賞草莓月亮的那一天,但從那天起,萌突然從學校消失,日向再也無法聯系上她。而萌離開的真相,以及13年后傳來的秘密究竟是什么…
無限:未知對象
托莉·巴特勒-哈特,伊恩·麥克萊恩,康勒斯·希爾,格雷厄姆·巴特勒,Ben Lee,Holly Dale Spencer,Chris Hart,Wendy Muir HartJane is trapped in an unknown world with endless possibilities. She has to discover a way to access them and alter her reality before she is destined to repeat the same test over and over again, Ad Infinitum.
周二謀殺定律
亞歷克斯·加西亞,茵瑪·奎斯塔,阿娜·瓦格納,卡拉·坎普拉,貝倫·洛佩茲,戈爾卡·萊斯奧薩,Mia Zafra,Carmen Ruiz,Xavi Lite,保羅·皮雷,貝爾·蒙特羅,Saida Benzal,阿德里亞諾·卡瓦略,路易莎·加瓦薩,拉克爾·佩雷斯,Romeu Runa,Elsa Galv?o,佩德羅·卡薩布蘭科,Tiago Sarmento,Marga Arnau一群有組織地前往里斯本的游客在第一天早上其中一人被殺后,發現自己正在調查一起謀殺案。當他們參觀美麗的里斯本景點時,開始在人群中尋找兇手。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster