炫舞世家-藝真3期

評分：0.0 播放：78萬 更新：2026-06-10
主演： 未知/

艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan暫無簡介

影片推薦

同類精選

影視排行

荒村怪談

李文豪,楊雅涵,張萌萌,鐘云鵬,賀穎怡,沈竹,王文采,蘇禹銘,李朋霏,劉君豪

規則怪談！鬼村見鬼！千年荒村自古有＂人鬼相處規則＂。青年男女結伴夜闖陰山鬼林，破壞規則，導致鬼靈還魂，鬼嘯瘆人，鬼影駭人，鬼殺奪命！一個美艷女子突然被鬼現鎖喉，另一個精壯青年又被鬼爪掏心……陰風陣陣，尖叫四起，一場排隊送人頭的祭獻大戲陰森上演，生者想死無門，卻又無處可逃！究竟是千年的冤魂沖破魔咒到人間索血啜飲？還是古老地獄中逃出的怪獸掠殺食人？土匪也驚恐逃亡，獵手也慌不擇路！夜半的茅草屋，怪叫撕心裂肺，鬼臉貼窗凝望，野鬼BOSS終將現行，終極＂規則絕殺＂如期而至！眾人早已靈魂出竅，一具具行尸走肉又將如何戰栗？

內亂夫人

崔有華,???,???

前播音員金和正目睹了看似完美的政壇新星丈夫姜文浩隱秘的背叛。外表優雅卻內心鋒利的花貞，向丈夫及其欲望伸出縝密而隱秘的復仇之手。 　　年輕迷人的新任輔佐官洪美妍以甜蜜誘惑與挑釁動搖著和正與文浩之間的平衡，為欲望與權力的游戲投下致命火種。文浩的前任輔佐官樸道允成為和正的戰略同盟，揭露丈夫的不倫與不正之風，點燃她致命計劃的引信。 　　在隱秘視線與低語交織、冰冷復仇與熾熱欲望交錯的致命心理游戲中，金和正自由穿梭于愛情與權力、歡愉與復仇的邊界。表面優雅微笑，內心熾燃的復仇劇——誰將成為最后的贏家？

凌晨是神的時間

日南響子,飛鳥凜,藤本七海

　　據日本警方統計，每年僅提交申請的失蹤人口就達10萬人，其中9萬人的行蹤可疑確認，但仍有1萬人下落不明。位于遠郊的一座深山叢林，似乎具有著強烈的魔性，無數人進入這里，從此消失無蹤。少女繭（日南響子 飾）偶然和父親目擊一輛綁架了少女的車，父女倆一路追蹤，走上了不歸之途；家庭主婦真奈（桐島れいか 飾）十年前曾在林中丟失長女，如今他的小女兒阿櫻離家上學后也一去不返；正在拍攝恐怖電影的新人女演員麗奈（飛鳥凜 飾）結束工作后，不得不穿越那座恐怖的森林，其中的景象與聲音令她戰栗不已；小女孩薰（藤本七海 飾）受托照顧鄰家的孩子，可是她卻遭遇了一個恐怖的人形。　　不同的人，不同的故事，同樣的恐怖……

好像一切都很糟糕

Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster