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朱軒洋,吳卓源,張世,梁修身,朱栢康,姚淳耀,張永正,李雪,潘儀君,詹懷云,馬力歐,羅芽里,廖嘉琛,王振復,錢薇真根據(jù)1961年轟動全臺的“瑠公圳分尸大案”改編。刑警趙子午（朱軒洋 飾）與記者張秀秀（吳卓源 飾）在得知女尸案有幕后陰謀后，聯(lián)手搏命找尋真相。警方也隨后發(fā)布巨額懸賞。不料，趙子午父親、抗日將軍趙志升（張世 飾）被列為分尸案嫌犯。媒體得知后開始瘋狂報道，一時間這起混雜血案、輿論、政敵的分尸案鬧得全城震動……
觸電2025
林敏驄,陳穎欣,柯煒林,伍詠薇,蘇皓兒,羅莽,馮素波,盧慧敏,陳毅燊,陳苡臻,吳肇軒,羅浩銘人到中年的車仔擁有一間網(wǎng)吧，但在手機游戲的沖擊下，早已人氣不再；三十未到的電競選手邦少正在面對實力下滑的職業(yè)困境；單親家庭長大的霏霏大學畢業(yè)超過五年，還未有過一份穩(wěn)定工作。曾是動作巨星的八爺因為妻子阿蘭出現(xiàn)腦退化，年過70的二人嘗試利用電子游戲來鍛煉大腦。一張全港電競賽的征集海報，讓想要拯救網(wǎng)吧的車仔決定組隊。車仔、霏霏、八爺，三個新手再加上一個急于證明自己的邦少，Happy Hour電競隊正式成立。親情、友情的羈絆化作電競賽場的搏殺，一場不可能完成的戰(zhàn)斗，讓心懷夢想的他們不再抱憾。
瑞奇·熱維斯：人生苦短
瑞奇·熱維斯瑞奇·熱維斯宣布自己的最新個人單口喜劇 Mortality 將在2024年底開始全球巡演。
像這樣的夜晚
亞歷山大·林肯,杰克·布雷特·安德森,大衛(wèi)·布拉德利,Jimmy Ericson,貝絲·里朗斯,凱恩·薩里,Eloise,Sam Jochim,Rizwan Khan,Harriet Olivia-Wilson一位身無分文的同志演員和一位因生意失敗而陷入困境的高層人物在一個冬夜相遇，并聯(lián)手在倫敦各地尋找他們悲慘生活的意義，但當他們看似不可能的聯(lián)系變成了更深層次的東西時，來自過去的恐懼和心魔開始危及他們的生活。
幽靈鬼屋
勒凱斯·斯坦菲爾德,羅莎里奧·道森,歐文·威爾遜,蒂凡尼·哈迪斯,丹尼·德維托,杰米·李·柯蒂斯,蔡斯·W·狄龍,杰瑞德·萊托,J·R·阿杜西,克里克·威爾遜,本·布萊頓,林賽·蘭姆,查麗蒂·喬丹,費多爾·斯蒂爾,特倫斯·羅斯摩爾,邁克·貝尼特斯,埃里卡·科爾曼,克里斯托弗·溫徹斯特,喬·科伊,格拉倫·布萊恩特·班克斯,瑪麗露·亨納爾,史蒂夫·齊西斯,安德魯·莫爾加多,尼科·戈麥斯,庫爾特·岳,哈桑·明哈杰,丹·列維,埃里克·羅溫,塞巴斯蒂安·蘇戴斯,特蕾西·古德,卡姆蘭·謝赫,薇諾娜·瑞德,羅伯特·廷斯影片靈感來自迪士尼樂園同名游樂設(shè)施，“在一個讓人不寒而栗的鬼屋中進行一趟令人毛骨悚然的旅行，有幽靈、食尸鬼和超自然力量帶來的驚嚇”，聚焦一個搬進了這棟豪宅的家庭。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.