在線播放
劇情簡(jiǎn)介
連續(xù)發(fā)生了四起命案，警方找被停職半年的警員夏仲凡來偵辦這個(gè)棘手的案件，希望藉用夏仲凡有女人緣的專長(zhǎng)來查一位女性嫌疑犯！那女性嫌疑犯叫采薇，曾被公司的董事長(zhǎng)強(qiáng)暴，告上法庭后因?yàn)槎麻L(zhǎng)把相關(guān)的證人都收買了，所以被判決無罪！而這四起命案的受害人都是之前那強(qiáng)暴案件的關(guān)系人.......
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風(fēng)云寶石Ⅰ：羅漢巖
甄鵬宇,鄧玉瑩,張潮豐世界末日2022
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Sarun Cinsuvapala,Nutjaree Horvejkul,Somyos Matures,Supavitch Nepremwattana,Pramote Pathan,Suphachai Subprasert他人即地獄(日影)
八村倫太郎,柳俊太郎,岡田結(jié)實(shí),三浦健人,青木さやか,大倉(cāng)空人,萩原圣人,鈴木武,星耕介,濱津隆之,日比美思,松角洋平,大野泰廣沖繩小芙蓉
蔵下穂波,余貴美子,照屋政雄,平良富,NESMITH,亀島奈津樹,和田聡宏,登川誠(chéng)仁人氣佳作
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漢娜·霍克斯特拉,Isis Cabolet,羅伯特·德·霍格,Alex Hendrickx,馬菲積斯·范德桑德·巴庫(kù)曾,Patrick Martens,Gigi Ravelli,Harry van Rijthoven,麗莎·斯普斯,揚(yáng)容·斯皮森伯格,馬克·范·伊文深度安靜
張孝全,林依晨,金士杰,丁寧,陳季霞,馬志翔,蔡亙晏,孟克柔復(fù)仇公主斯嘉麗
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Jason Park,Christopher Deon,Luka Dingess,Brandon Dunlap,Nadia Adelay,朱迪·阮,Oscar Rockwell導(dǎo)演精選
寫在大地上的詩(shī)
該片是國(guó)家廣播電視總局2024年度電視劇引導(dǎo)扶持專項(xiàng)資金和“深入生活、扎根人民”傾斜項(xiàng)目，通過詩(shī)人田地發(fā)現(xiàn)田間、走進(jìn)歷史、重寫戎冠秀的故事，用詩(shī)歌去表達(dá)還原當(dāng)時(shí)戎冠秀支援前線的歷史，通過網(wǎng)絡(luò)讓觀眾熟知悉那段擁軍，愛軍的模范事跡。
臨時(shí)家族
一個(gè)陷入瓶頸期的女演員，一個(gè)北京胡同孤僻老炮。一個(gè)姥姥帶大的熊孩子，一個(gè)失敗中年男人。這分別來自北漂，留守，離異，孤寡的四個(gè)人因?yàn)橐粓?chǎng)騙局被迫組成臨時(shí)的完整家庭。自此上演一段雞飛狗跳、笑淚交織的人間悲喜劇。他們?cè)诶硐肱c現(xiàn)實(shí)中困頓，在希望與孤寂里掙扎。在這臨時(shí)的親情里回望各自真正的血緣。而在歡聲笑語(yǔ)的身后，又有多少不為人知的傷心往事..
公寓2024
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.