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我們埋葬死者
黛西·雷德利,布倫頓·思韋茨,馬克·科爾斯·史密斯,馬特·惠倫,Chloe Hurst,金姆·杰克遜,Dan Paris,Deanna Cooney,Nicola Bartlett,Kim Fleming,Kingsley Judd,Salme Geransar,Elijah Williams,Luke Jai,Megan Hollier,Steve McCall,大衛·佐納,Matthew Parkin,Jimmy Duncan,Bruce Denny艾娃（黛西·雷德利 飾）是一名絕望的婦女，她的丈夫在一次災難性軍事實驗后失蹤，她加入了一個“尸體搜尋小組”，但當她埋葬的尸體開始出現生命跡象時，她的搜尋工作發生了令人毛骨悚然的轉變。
得閑謹制
肖戰,彭昱暢,周依然,楊新鳴,阿如那,甘昀宸,周思羽,嚴知度,尹正,祖峰,廖凡,許君聰,江奇霖,任程偉機械廠鉗工莫得閑（肖戰 飾）拖家帶口隨逃難隊伍躲進山區，與被大部隊遺忘的防空炮長肖衍（彭昱暢 飾）及手下在“戈止鎮”落腳。然而，莫得閑和妻子夏橙（周依然 飾）、老太爺（楊新鳴 飾）以及兒子莫等閑（嚴知度 飾）的平靜生活因為一小隊日本偵察兵的意外到來被打破。全鎮百姓不忍不退，拼死守護家園，一場民間智慧對抗正規武裝的殊死較量轟然展開。
天空嶺殺人事件
徐康俊,文素利,申東美,李世榮《天空嶺殺人事件》是2013年12月05日，徐康俊和文素利主演的一集電視劇。
北京猿人
緒形直人,王祖賢,哀川翔,丹波哲郎,坂上忍,小野賢章侵華戰爭時期，日本人將掠得的北京猿人頭骨偷運回國，途中沉沒，成為一樁疑案。當年日本人將頭骨化石偷運回國，隱藏幾十年后，在和平環境下重新進行研究。他們將頭骨化石中的DNA殘片提取出來，進行培育，然后送入太空，據說這樣便可以憑借太空中的粒子幅射，使其蘊育成熟。不料，載著北京猿人胚胎的飛船失事，墜入海島，而北京猿人卻成功地誕生了。 而王祖賢扮演的中國美麗女間諜的使命就是將北京猿人偷運回國，從此便和日本科學家展開了明爭暗斗。最后，雙方不分輸贏，而是達成了共識：北京猿人不是任何一國的財富，他們屬于大自然。于是，猿人一家三口和一只同樣由基因技術復制出來的猛瑪象被放歸了自然。
狼嚎2023
Ebonie Cadman,杰登·考爾菲德,Jesse Matthews Cooke這是一部只有背景音樂寫實的粗獷毫不妥協且極具風格的獨立無聲藝術電影，描述在美國式的自由民主制度下所誕生的黑社會陰暗面、地痞流氓、吸食毒品、色情、謀殺、販賣軍火等，改編自古希臘荷馬史詩中的人物故事。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
無處釋放我
杰瑞米·艾倫·懷特,杰瑞米·斯特朗,保羅·沃爾特·豪澤,斯蒂芬·格拉漢姆,奧黛莎·楊,馬克·馬龍,蓋比·霍夫曼,大衛·克朗姆霍茨,格蕾絲·古默,哈里森·吉爾伯特森,約翰尼·坎尼扎羅,琳恩·A·弗里德曼,斯蒂芬·辛格,伊萬·阿馬羅·布隆,莎拉·斯洛博達,克里斯托弗·杰伊姆斯,格雷格·普朗科,克雷格·杰拉蒂,阿拉貝拉·奧利維婭·克拉克,洛蕾娜·奧斯塔影片聚焦布魯斯·斯普林斯汀打造1982年的著名專輯《Nebraska》時期，作為年輕音樂人的他努力應對成功的壓力，和令人困擾的過往。