即刻觀影
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巫咒
王楠楠,田詩(shī)雨,張瀚文,劉宇鋒,姜景中,王傾,關(guān)鵬,劉頔,郭子恒,宋卓然影片講述了萬(wàn)香山腳有個(gè)黑頂子村，村里住著謝家三兄弟。某年冬天特別寒冷，謝老二違背了祖訓(xùn)，偷偷進(jìn)山采參，誰(shuí)知回來(lái)后就神秘死去。村中人都認(rèn)為謝老二是因?yàn)檫@是觸怒了山神，“山神降下了詛咒”才離奇死亡??
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
觸電2025
林敏驄,陳穎欣,柯煒林,伍詠薇,蘇皓兒,羅莽,馮素波,盧慧敏,陳毅燊,陳苡臻,吳肇軒,羅浩銘人到中年的車仔擁有一間網(wǎng)吧，但在手機(jī)游戲的沖擊下，早已人氣不再；三十未到的電競(jìng)選手邦少正在面對(duì)實(shí)力下滑的職業(yè)困境；單親家庭長(zhǎng)大的霏霏大學(xué)畢業(yè)超過(guò)五年，還未有過(guò)一份穩(wěn)定工作。曾是動(dòng)作巨星的八爺因?yàn)槠拮影⑻m出現(xiàn)腦退化，年過(guò)70的二人嘗試?yán)秒娮佑螒騺?lái)鍛煉大腦。一張全港電競(jìng)賽的征集海報(bào)，讓想要拯救網(wǎng)吧的車仔決定組隊(duì)。車仔、霏霏、八爺，三個(gè)新手再加上一個(gè)急于證明自己的邦少，Happy Hour電競(jìng)隊(duì)正式成立。親情、友情的羈絆化作電競(jìng)賽場(chǎng)的搏殺，一場(chǎng)不可能完成的戰(zhàn)斗，讓心懷夢(mèng)想的他們不再抱憾。
摩斯拉
堺正俊,香川京子,Furank? Sakai,小泉博Shipwreck survivors are found on Beiru Island (Infanto t?), which was previously used for atomic tests. The interior is amazingly free of radiation effects, and they believe that they were protected by a special juice that was given to them by the island's residents. A joint expedition of Rolisican and Japanese scientists explores Beiru and discovers many curious things, including two women only one foot (30 centimeters) high. Unscrupulous expedition leader Clark Nelson abducts the women and puts them in a vaudeville show. But their sweet singing contains a telepathic cry for help to Mothra, a gigantic moth that is worshiped as a deity by the island people. The giant monster heeds the call of the women and heads to Tokyo, wreaking destruction in its path.
母親的皮下
安吉莉·芭雅妮,Beauty Gonzalez,賈絲敏·柯提斯-史密斯第二次世界大戰(zhàn)期間，一個(gè)被困在菲律賓的年輕女孩發(fā)現(xiàn)，她保護(hù)她垂死的母親的責(zé)任，因?yàn)樗e(cuò)誤地信任一個(gè)迷人的食肉仙女而變得復(fù)雜。
牛排
埃里克·朱多爾,朗齊·貝迪亞,喬納森·朗貝爾,Vincent Belorgey,Sebastian Akchoté,Laurent Nicolas,Sébastien Tellier,Alain Gendreau,Mark Latrémouille,Marie-Claude Michaud,雨果林·什維特·蘭黛斯科,Caroline Bernard,Steve BarryGeorge is the scapegoat of his classmates. One day he cracks and shoots them. His best and only friend Blaise is accused in his place and sentenced to 7 years in a psychiatric hospital. At the day of his release, Blaise realizes he only has one family: his best friend George. But he does not want to hear about his childhood friend, as he tries to integrate with the "Chivers" a gang whose members wear red jackets and boots, drink milk, drive sport trucks and play an incomprehensible and violent game that mixes cricket and mental arithmetic.