劇情簡介
艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan杭州極品人妻周筱雪完美身材和頂級顏值絕對算得上是一位極品尤物在線上線下各種約炮偷腥讓大家好好看看這個騷貨的真實面目
為你推薦
庇護之地
杰森·斯坦森,博德希·蕾·布里納希,比爾·奈伊,娜奧米·阿基,丹尼爾·梅斯,哈麗特·瓦爾特,戈登·亞歷山大,布隆森·韋伯,湯姆·吳,比利·克萊門茨,托米·梅,安娜·克里里,巴利·吉爾,瑞恩·弗萊徹,亞當·柯林斯,索菲安·弗朗西斯,布萊恩·維吉爾,史蒂文·布拉德斯,路易絲·拉,Rodaidh Findlay隱居孤島的特工界黃金王牌邁克爾·梅森（杰森·斯坦森 飾）本想就此隔絕過往，一場風暴卻讓他救下少女杰茜（博德希·蕾·布里納希 飾），命運的齒輪徹底反轉……他們的行蹤不慎暴露在嚴密的監控網絡之下，神秘勢力的追殺接踵而至，無路可退的梅森被迫重操舊業，攜手少女開啟生死突圍之路。 面對頂尖特工小隊和冷血殺手的輪番圍剿，梅森一路火力全開：近身肉搏、飛車追逃、槍林彈雨，硬核爽戰全程高能！隨著追殺不斷升級，層層陰謀被逐一揭開，互相防備的兩人成為彼此唯一的依靠。當滔天陰謀席卷而來，他們能否沖破死局？這份絕境中的守護，又會成為鎧甲還是軟肋？
軟殼
Caledonia Abbey,Legyaan Thapa,沙西通·巴尼諾,約翰尼·齊托,Mako San,艾德·馬龍,Cara Ronzetti,Nathaniel Strobl,里斯·斯卡拉博西奧,伊內斯·霍伊塞特·艾瑟森,明真好,Blake James Reid母親去世后，一對來自皇后區的泰裔美國兄妹在城市內外艱難求生。他們各自以低調的方式哀悼。杰米在動物園找到了一份新工作，而她的弟弟納林則繼續在附近的柔術館工作。杰米與一位約會對象發生了一次尷尬的互動后，決定計劃一次說走就走的旅行，逃離這座城市。在旅途中以及返回紐約后，兄妹倆遭遇了一系列意想不到的事情。
絕命47小時
亞歷山德里婭·德伯里,艾莉·瑪麗·埃文斯,湯姆·普羅克特,Amanda Marie Wilkinson,布賴恩·馬西,Annie Hamilton,Natalie Dickinson,盧克·謝爾頓 Luke Shelton,Julia Lashae,Zach Rose兩個不善社交的少女，一天晚上無聊，轉向互聯網尋找恐怖故事。他們在一個令人毛骨悚然的網絡上找到了一個游戲，聲稱你可以用你的手機來召喚超自然...如果你輸了比賽...你失去了生命
樂開懷
米歇爾·菲佛,菲麗希緹·瓊斯,科洛·葛蕾絲·莫瑞茲,伊娃·朗格利亞,詹森·舒瓦茲曼,丹妮爾·布魯克斯,茉德·阿帕圖,丹尼斯·利瑞,多米尼克·塞薩,陳沖,哈瓦娜·羅絲·劉,黛芙芮·雅各,海蒂·納賽爾,塞爾吉奧·杜克,伊桑·科斯塔尼拉,賽迪·司各特,Rashal James,杰西賈姆斯·洛科里埃,羅克茜·里韋拉,Audrey Hui克萊爾（米歇爾·菲佛 飾）組織了一次特別的圣誕郊游活動，而她的家人卻在忙碌中將她遺忘。當他們意識到錯誤時，她已經失蹤了。他們的圣誕節岌岌可危，但克萊爾另有打算。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
圍困
尤里·索洛明,葉甫蓋尼·列別杰夫,伊琳娜·阿庫洛娃,列夫·佐洛圖欣,弗拉季斯拉夫·斯特爾熱利奇克,亞歷山大·拉辛,鮑里斯·戈爾巴托夫,謝爾蓋·哈欽科,丹尼爾·薩加爾,Vasiliy Minin,Valentin Abramov,Anatoliy Verbitskiy,米哈伊爾·烏里揚諾夫,Roman Gromadsky,Konstantin Malakhov,Stanislav Fesyunov,Yuri Maltsev,Aleksandr Afanasev,Vladimiras Lido,Yuri Ku該片講述了偉大衛國戰爭期間列寧格勒遭受德寇圍困的九百天，列寧格勒軍民克服種種令人難以置信的困難--饑餓，轟炸，疾病，寒冷——保衛了這座“英雄城”并最終打破了德寇的圍困的故事。
罪惡新月城
亞歷克·鮑德溫,泰倫斯·霍華德,埃塞·莫拉雷斯,妮基·韋蘭,邁克爾·希羅,溫斯頓·凱奇,安居爾·尼加姆,Maria Camila Giraldo,瑞瑪·桑帕特,Danielle DruzA small town in the south is ravaged by a serial killer, with everyone being a suspect including the police.