失憶癥2001

★ 8.5 播放:59萬 更新:2026-05-12

A暫無內容photographer暫無內容returns暫無內容to暫無內容his暫無內容parental暫無內容home暫無內容because暫無內容his暫無內容mother暫無內容is暫無內容seriously暫無內容ill.暫無內容The暫無內容confrontation暫無內容with暫無內容his暫無內容past暫無內容leads暫無內容to暫無內容panic暫無內容in暫無內容a暫無內容surreal,暫無內容stylised暫無內容psychological暫無內容drama.

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劇情簡介

A暫無內容photographer暫無內容returns暫無內容to暫無內容his暫無內容parental暫無內容home暫無內容because暫無內容his暫無內容mother暫無內容is暫無內容seriously暫無內容ill.暫無內容The暫無內容confrontation暫無內容with暫無內容his暫無內容past暫無內容leads暫無內容to暫無內容panic暫無內容in暫無內容a暫無內容surreal,暫無內容stylised暫無內容psychological暫無內容drama.

導演精選

禁止進入

  兩個正在“成名路上”摸爬滾打的工薪階層YouTuber,為了取回不小心丟進一座廢棄豪宅的籃球,決定進入這個詭秘的地方。他們在屋里互相惡作劇,打鬧嬉戲,還用手機記錄下這次“短暫冒險”。為了吸引更多粉絲,他們在視頻里特意添加了一個假鬼影效果。沒想到,視頻一經上傳就迅速走紅。  于是,他們發起一個大膽挑戰:如果視頻播放量達到預定目標,他們將會在深夜再次進入這棟老宅,這次毫無防護,完全“裸探”。隨著粉絲們熱烈響應,他們真的兌現了承諾。然而,這一次,他們不僅將揭開豪宅背后的秘密和那些神秘“住客”的真相,也逐漸意識到一個令人毛骨悚然的事實——或許他們自己已經不再屬于這個世界了。  面對這一切,一個問題浮現:為了成名,你究竟愿意付出多大代價?

奧賽羅

  奧賽羅(謝爾蓋·邦達爾丘克 Sergei Bondarchuk 飾)是驍勇善戰的大將軍,元老的女兒苔絲狄蒙娜(伊琳娜·斯科布采娃 Irina Skobtseva 飾)愛上了他,但因為奧賽羅是一名黑人,所以兩人的婚事遭到了元老的反對。不愿意就此放棄這段感情的兩人決定私定終身,這個秘密被一直嫉妒奧賽羅的旗官伊阿古(安德烈·波波夫 Andrei Popov 飾)給暗中偷聽到了,于是伊阿古決定破壞這段姻緣。哪知道伊阿古的搗亂反而促成了這段婚事。  伊阿古并沒有善罷甘休,奧戴羅和苔絲狄蒙娜結婚之后,伊阿古通過偽造定情信物的手段開始挑撥這對夫妻之間的感情。占有欲極強的奧賽羅很快就走進了伊阿古設置的圈套之中。

公寓2024

  Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.  Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.