影片推薦
草莓之夜2013
竹內結子,西島秀俊,小出惠介,宇梶剛士,丸山隆平,津川雅彥,渡邊一計,遠藤憲一,高島政宏,生瀨勝久,武田鐵矢,染谷將太,金子統昭,金子賢,鶴見辰吾,石橋蓮司,田中哲司,三浦友和,大澤隆夫,橫山美雪怪猴
西奧·詹姆斯,塔提阿娜·瑪斯拉尼,伊利亞·伍德,勞拉·門內爾,克里斯蒂安·康佛瑞,薩拉·萊維,羅漢·坎貝爾,科林·奧布萊恩,Corin Clark,奧斯古德·珀金斯,Danica Dreyer,Kingston Chan,Dianne Greenwood,齊亞·牛頓新年伊始 不合適也要有個限度!~不能認真聊聊嗎?~
阿部貞夫,仲里依紗,磯村勇斗,吉田羊,河合優實,錦戶亮,江口德子,袴田吉彥,小野武彥,坂元愛登,三宅弘城,八島智人,中島步,山本耕史,古田新太尸油降
卡文·英瑪諾泰,Supawadee Kitisopakul,??????? ????????????忍者龍劍傳
難波圭一,冬馬由美,若本規夫,鄉里大輔,榊原良子,石冢運升,鈴木沙織,浦和惠,里內信夫,增田有宏,川津泰彥,沼田祐介,內海秀雄,小川真司誤入魔爪
Jordyn Rudolph,Brad Bell,Ryan Rudolph同類精選
海綿寶寶:深海大冒險
克蘭西·布朗,馬克·哈米爾,湯姆·肯尼,布萊恩·道爾,比爾·法格巴克,勞倫斯先生,埃絲·史佩斯,羅德格爾·邦帕斯,卡羅琳·勞倫斯,道格拉斯·泰特,卡拉·三子,詹姆斯·亨特,Tammy Davis,Arthur Waite,布萊恩·科菲,Leonel Garza,Scott Frenzel,Melissa Kaye Bontempt,阿拉娜·菲利普七月寒潮
邁克爾·C·豪爾,山姆·夏普德,唐·約翰遜,凡妮莎·肖,懷亞特·拉塞爾王勝:紫色
王勝怪獸與女孩
艾倫·德魯,Robert Paige,保羅·盧卡斯定格惡魔
艾斯琳·弗蘭喬茜,斯特拉·古奈特,湯姆·約克,凱奧林·斯普林加爾,詹姆斯·斯旺頓,Joshua J Parker,Jaz Hutchins,Bridgitta Roy混凝土市場電影版
李在仁,紅炅,鄭滿植,劉秀彬,金國熙,崔正云,宋智仁,李家晴,李道根,孫寅勇影視排行
重返寂靜嶺
杰瑞米·艾文,漢娜·艾米莉·安德森,艾維·坦普爾頓,羅伯特·斯特蘭奇,皮爾斯·伊根,尼科拉·亞歷克西斯,伊芙·麥凱林,朱莉婭·佩拉加蒂,埃米莉·卡丁,瑪蒂娜·理查茲,霍華德·薩德勒,馬迪奧·帕斯奎尼,梅麗莎·格雷厄姆,勞拉·杜魯,卡莉亞·杜魯,斯拉維薩·伊萬諾維奇,阿拉娜·瑪麗亞,塔瑪拉·里斯托斯卡,賈斯珀·沙龍,桑迪·E·斯科特在愛人神秘信件的召喚下,詹姆斯(杰瑞米·艾文 飾)重新回到了充滿著秘密和詭譎的寂靜嶺。但當他踏入這座小鎮的那一刻卻開始了無盡極限逃生模式:永不停歇的防空警報撕裂耳膜,漫天余燼籠罩大地,熟悉的街道扭曲成噬人的迷宮,三角屠夫、無臉血腥護士、未知詭異生物無處不在,步步緊逼。現實與幻象在寂靜嶺徹底崩塌,詹姆斯一邊躲避致命追殺,一邊試圖用破碎的記憶拼湊出真相。
像我這樣的愛情
廖子妤,陳家樂,劉雅麗,楊淇,劉若寶,林芷沿我們這樣,是愛嗎?阿妹天生患有腦性麻痹,性格卻異常跳脫樂觀,閑時會約朋友踩板吹水,畫畫作樂,二十多年來一直努力不被身體耽誤。可是過度保護的母親堅決安排她進行子宮切除手術,阿妹努力建立的生活再次失去平衡,她的身體永遠是不由自主的。在朋友推薦下,阿妹找到了一個專為殘疾人士提供性服務的自發組織,并認識了義工Ken。這無私的相遇仿佛撫慰了兩個受傷的靈魂,那日漸累積的情愫沖淡了道德與身體的羈絆,這樣的關系,是愛嗎? 譚惠貞繼《以青春的名義》(第14屆開幕電影)后第二部長片作品,將愛情元素和身障者性權益議題融合,成就一個道德探索與自我尋找的故事。
死亡將至
斯萊法·達尼什,凱特琳·哈爾德曼,Michael James OlindoA family whose daughter is seemingly possessed; their prayers seem to make matters worse. What sin did they commit?
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.