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雨果今年十九歲。像每個夏天一樣,他都在大西洋的一個小島上度過假期,住在他父母的小房子里。但今年不同;雨果身體發(fā)生了變化,他的女朋友奎因陪伴著他來到島上,奎因是一位美容師,她的機智和長長的萊茵石指甲與這個年輕人的沉靜和羞澀形成了鮮明對比。這對情侶很快就成了眾人矚目的焦點。
一位冉冉升起的流行歌手在為她的巡回演唱會首秀做準備的同時,努力應(yīng)對名利和行業(yè)壓力的復雜壓力,揭示了地下文化向主流成功的轉(zhuǎn)變。
Sheila Hood is an ex-cop whose marriage is on the rocks. Rather than confronting her husband about an affair, she hides surveillance cameras in her home and watches his transgressions, becoming a voyeur of her own life. Her husband, Tom Kale, is an ornithologist who begins an affair with an ex-girlfriend, Merle James, whose beauty and fragility echoes that of the birds he studies. Ray Starling, the charismatic owner of a boutique hotel, is Merle’s lover, and has dealings with her father, Mr James, a powerful oil baron who operates in the shadows but whose influence touches the whole city. Merle’s younger sister, Hazel, is also drawn to Tom, but trapped in Starling’s web of power. Calvin is an cop whose loyalty to his ex partner, Hood, is tested when mounting evidence from her own surveillance tapes connects her and Tom to Starling’s murder, and perhaps even Merle’s mysterious death.
在天眼尚未密布,監(jiān)場保安仍會打瞌睡的二十世紀七十年代,名畫大盜就是會光天化日,大剌剌走進美術(shù)館,直接把獵物從墻上取下放入布袋運走。看似兒戲的一切,背后主謀還要是住在市郊、人畜無害的住家男人。凱莉·萊卡特完全棄用好萊塢盜寶片敘事公式,改以其擅長的左翼簡約主義鏡頭,捕捉觸犯藝術(shù)罪行者的日常生活、雙面人的言行處境,以及事件周遭人情冷暖。阿瑟多夫的抽象畫作未必是一個借口,但到頭來凸顯存在荒謬的公路逃亡,儼然為觀眾添加了不少欣賞和思考的層次。