玫瑰汽車旅館2

　　《蜘蛛男》是“江戶川亂步作品集”第七卷。故事開頭，怪紳士稻桓租下了一間事務所，把它重新裝修成美術藝品店。第二天開業時聘用了一名十八歲的美少女，但當天晚上就奸殺了這名少女。接下來的幾天內報紙社會版頭條陸續刊登了“碎尸案”、“美人魚案”。民間犯罪學者畔柳博士接手此案，在與藍胡子稻桓正面交鋒的過程中屢屢敗下陣來，直到環游歸來的明智加入偵破陣營……，故事從讀者預測不到的角度展開，是一部名探與殺人狂的斗智故事。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

影片講述了天機門被懸刃衛以通敵叛國罪滅門后，氣劍宗葉梵星受父命潛入懸刃衛查探真相，并與天機門唯一幸存者夏璃月相遇，二人共同揭露背后陰謀，誅殺叛徒并守護家國的故事

 黎耀輝（梁朝偉）與何寶榮（張國榮）是一對同性戀人，為了有新的開始，他們懷著美麗的夢想（去看南美洲大瀑布）離開香港來到阿根廷，卻在布宜諾斯艾利斯迷了路。黎耀輝想安下心來過日子，無奈何寶榮于夜夜笙歌中放縱著自己的生命，以期找尋更多的刺激，只當黎耀輝是他受傷后的港灣，兩人分歧 、爭吵越來越多，心的距離越來越遠。黎耀輝明白過去的日子不可能再復返時，決定離開何寶榮，而正是在他離開后，絕望的意味（對黎耀輝的愛）才在何寶榮的腦海中完整地浮現。