即刻觀影
劇情賞析
編輯推薦
象人
安東尼·霍普金斯,約翰·赫特,安妮·班克羅夫特,約翰·吉爾古德,溫蒂·希勒,弗雷迪·瓊斯,邁克爾·埃爾菲克,漢娜·高登,海倫·瑞安,約翰·斯坦丁,德克斯特·弗萊徹,萊斯莉·鄧祿普,菲比·尼克爾斯象人（約翰?赫特 John Hurt 飾）是一個天生的畸形癥患者，他的臉長得就像大象的臉，因此而得名。象人一直被利欲昏心的馬戲團老板利用，帶到世界各地去巡回演出，受盡了非人的虐待。象人所經受的遭遇社會名流們都會感到不可思議，然而樂觀堅強的象人卻承擔了下來。直到有一次，象人遇上了年輕的英國醫生（安東尼?霍普金斯 Anthony Hopkins 飾），出于憐憫和醫生的操守，他與馬戲團老板簽訂了“領養”協議后，將象人帶回了醫院作研究。在醫院里，象人重新感受到了人間的溫暖，而醫生也在和象人的交往中結下了深深的友誼，他已經舍不得這位“上帝的棄兒”。但利欲昏心的馬戲團老板帶人又將象人搶了回去，象人的新生活是否就此終結？
異端2024
Anneke Sluiters,Len Leo Vincent,雷豪特·比瑟馬克,Nola Elvis Kemper中世紀荷蘭的閉塞村莊中，無法生育的弗里達被村民與教會視為不祥之人，只能在祈禱與儀式中尋求救贖。當她從被視為禁地的森林中僥幸逃脫屠夫的騷擾并安然返回時，被村民認定為與惡魔勾結的女巫。走投無路的弗里達，在森林中接觸到潛藏的黑暗力量，逐漸覺醒為傳說中的“白衣女妖”，以復仇之火回應村莊的偏見與壓迫。
家弒服務
西德尼·斯維尼,阿曼達·塞弗里德,布蘭登·斯克萊納,米凱萊·莫羅尼,伊麗莎白·珀金斯,梅根·弗格森,艾倫·塔瑪基,印第安娜·艾爾,伊萬·阿馬羅·布隆,莫瑞·金斯堡,多恩·迪皮塔,阿萊娜·蘇格納,阿拉貝拉·奧利維婭·克拉克,馬特·沃爾頓,阿曼達·喬伊·埃里克森,布賴恩·D·科恩,索菲婭·邦內爾,凱倫·傅,亞歷山德拉·西爾,里根·菲茨杰拉德改編自芙蕾達·麥克法登的同名暢銷小說。 為生計掙扎的女子米莉（西德尼·斯維尼 Sydney Sweeney 飾）找到了一個新的開始，在一對看似完美且富有的夫妻妮娜（阿曼達·塞弗里德 Amanda Seyfried 飾）和安德魯（布蘭登·斯克萊納 Brandon Sklenar 飾）的家中做家政。然而，米莉很快發現一家人的秘密比自己的要危險得多，這座豪宅背后上演著充滿秘辛、丑聞、權力誘惑的游戲。
超能計劃
杰米·?？怂?約瑟夫·高登-萊維特,多米尼克·菲什巴克,羅德里戈·桑托羅,考特尼·萬斯,艾米·蘭德克,機關槍凱利,泰特·弗萊徹,阿倫·馬爾多納多,安德烈·沃德·哈蒙德,可亞娜·西蒙妮·辛普森,C.J.勒布朗,CG劉易斯,約瑟夫·波利昆,雅茨·德·利瑟爾,凱西·奈斯泰德,珍妮特·羅斯·阮,吉姆·克洛克,喬恩·阿茲,戴恩·羅茲,懷爾德·韋恩,賈斯汀·賈木什,戈登·德克海默,盧克·霍克斯,小彼得·詹梅斯,托尼·查普曼·斯蒂爾,約書亞·薩達索在新奧爾良的街道上，關于神秘新藥丸的消息開始傳播開來，這種藥丸可以解鎖每位使用者獨特的超能力。但問題是：在服用之前，沒人知道用藥后會發生什么。一些人會進化出防彈皮膚、隱形能力和超強力量，也有很多人會表現出更致命的反應。但是，當藥丸使城市內的犯罪升級到危險水平時，當地警察（約瑟夫·高登-萊維特飾）與一名少女小販（多米尼克·菲什巴克飾）和誓報私仇的退伍士兵（杰米·福克斯飾）聯手以硬碰硬，他們冒著服用藥丸的風險，以追蹤并制止制造出該藥丸的團隊。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
換皮
瑞貝卡·福斯蒂,露西·阿倫,芭芭拉·克蘭普頓,Sean Knopp,阿德南·馬拉爾年輕漂亮的凱拉得了一種奇怪的疾病，她的皮膚開始老化，干裂和瓦解。當她發現她可以用別人的皮膚來替代自己的皮膚時，她必須做出選擇，看著自己的軀體枯萎死亡，還是屈服于誘惑，不管代價如何。