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為你推薦
掃惡
潘斌龍,包貝爾,趙潤南,克拉拉,周大勇,郭子恒,侯浩然,于柏林,釋小龍,湯鎮業,九孔,常鋮千禧時代質感的動作犯罪類型，奇葩刑警隊長與背負殺父之仇的少年聯手追緝重出江湖的殺人劫車團伙，刺激爽感中不乏社會思考和感動。
美食總動員
帕頓·奧斯瓦爾特,伊安·霍姆,盧·羅曼諾,布萊恩·丹內利,彼得·孫,彼得·奧圖爾,布拉德·加內特,詹妮安·加羅法洛,威爾·阿奈特,詹姆斯·瑞馬爾,約翰·拉森貝格,泰迪·牛頓,托尼·弗希勒,杰克·斯坦菲爾德,布拉德·伯德,林賽·柯林斯,布拉德·劉易斯,洛麗·理查德森,邁克·吉亞奇諾小老鼠雷米在嗅覺方面有著無與倫比的天賦，不想過與垃圾堆為伴的生活，心懷成為五星大廚的夢想。 一個偶然的機會，他認識了古斯特餐廳的學徒林奎尼，這個倒霉的學徒生性害羞，在廚藝上更是沒有什么天賦，并且遭到餐廳大廚的排擠，即將被解雇。這一人一鼠結成了奇特的聯盟：雷米奉獻自己極富創造力的大腦。操作林奎尼前臺“表演”。 在雷米的幫助下，林奎尼不但成為新的“天才廚師”，獲得了美女同事的愛情，還挫敗了大廚的陰謀，成為古斯特餐廳的合法繼承人。突如起來的成功讓林奎尼有些不知所措，想擺脫自己的傀儡身份，把雷米趕出了廚房。 古斯特餐廳的成功，引起了苛刻的美食評論家科隆的注意，準備一嘗林奎尼的手藝，重新為餐廳評定星級；而不甘失敗的前大廚，蠢蠢欲動，想要找到林奎尼一夜成名的秘密。失去了雷米，林奎尼該如何面對這些問題……
奪魂醫生
Andrew Prine,Jason London,Carlos Lauchu在一個肅殺的夜晚，滿身傷痕的女孩西恩娜（艾麗森·蘭格 Allison Lange 飾）跌跌撞撞沖入公路。她隨即被送往醫院，在探員贊恩（詹森·倫敦 Jason London 飾）的詢問下，驚魂未定的西恩娜終于說出了那段恐怖經歷。 兩周前，她和同在醫科大學念書的好友斯科特（B.J. Britt 飾）、杰森（尼克·霍爾莫斯 Nick Holmes 飾）、本（C.J. Thomason 飾）、夏儂等人結伴外出游玩。他們駐留在一所古堡，看似一切充滿了刺激和樂趣，但是這份無上喜悅很快便蒙上一層陰影。在他們身后，似乎有一個手執手術刀的奪命醫生蠢蠢欲動，死神的腳步越來越近。這群躊躇滿志的未來醫生，儼然成為了手術臺上的致命犧牲品……
惡鬼病毒
村重杏奈,太田將熙,桑山隆太,華村飛鳥,吉田伶香,角由紀子,鳥之海凪紗,田中要次改編自二宮敦人的超人氣恐怖小說《惡鬼病毒》，講述YouTuber內川智樹帶著他的朋友日名子、颯太和奈々枝來到傳聞中有著神秘失蹤事件的舊石尾村拍攝一段調查都市傳說的視頻。幾天后，警方在村外的一條隧道附近發現了四人租用的汽車，而在現場發現的一臺攝像機則記錄下了令人震驚的畫面。緊鎖的房屋、身著武裝制服的兒童、被關起來的成年人，以及在新月之夜發病的成年人......這個村子里究竟發生了什么？
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
后來的我們韓版
具教煥,文佳煐,姜末琴在開往家鄉的客運上，恩浩（具教煥 飾）遇見了休學后下定決心要前往某處的正媛（文佳煐 飾），產生了一段不可思議的緣分。為彼此的夢想加油的兩人，不知不覺地深入對方的生活，成為了一對戀人。一同歡笑、爭吵、和解的兩人，雖然擁有了世上最熾熱的愛，但面對殘酷的現實，兩人最后仍選擇分道揚鑣。就這樣過了10年，再次遇見彼此的瞬間，恩浩問了正媛一直很想問的問題“如果我們……” 影片改編自2018年劉若英執導的《后來的我們》。
膚色
喬納森·塔克,杰克遜·羅伯特·斯科特,丹妮爾·麥克唐納,朗尼·查維斯,賈里德·戴,山姆·狄龍,邁克爾·維拉爾在美國小鎮一家超市的付款通道中，一個黑人對一個10歲白人小孩（JacksonRobert Scott飾）微笑，不曾想，這個善意的舉動受到誤解，引發了幫派之間的對抗，并以驚人的結局收尾。