劇情縱覽
國外三級暫無
國外三級暫無
首次揭秘長征紀實事件,1934年中央蘇區第五次反圍剿失敗,紅六軍團奉命西征,進入貴州石阡,一場戰役后,800多名紅軍消失在石阡困牛山,解放后中央多次尋找未果。70年后少數民族一個奇怪風俗揭開了謎底,紅18師52團為了掩護軍團主力突圍,為了不暴露主力行動方向,他們將敵人引至困牛山,面對數倍的敵人浴血奮戰,戰斗至最后,狠毒的敵人拿老百姓當人肉盾牌,危機時刻, 100 多名紅軍戰士為了不誤傷百姓,寧死不當俘虜,全部跳崖壯烈犧牲。被稱為是中國軍史和世界軍史上的奇跡和壯舉!
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
在外星人入侵幾乎滅絕人類的幾年后,人類難民在月球上的一個秘密基地,三個英雄決定跳入時間旅行,不顧一切地試圖拯救幸存者,但他們不知道哨兵正在等待他們。
一所平凡的中學,1年B組即將迎來春假。不知天高地厚的學生們肆意吵鬧,殊不知一場綿亙數月的風暴正向他們襲來。級任教師森口悠子(松隆子 飾)全然無視這片混亂,靜靜地向學生們做出最后的告白。這個單親媽媽獨自撫養著可愛的女兒(蘆田愛菜 飾),然而女兒最終在游泳池中溺水身亡。警察 認定這是一起意外,森口則認定女兒死于班上兩個學生之手。她不動聲色地指責著犯人A和B,并宣布用自己的方式進行復仇。在此之后,森口辭去教師職務,1年B班的學生也心懷惴惴迎來了春假。新學期開始,殘酷的風暴襲向了這群無知無畏的少男少女……本片根據湊かなえ的原作改編,并成為2010年電影旬報十佳影片;第34屆日本電影學院獎最佳作品、最佳導演、最佳劇本和最佳剪輯4項大獎。