影片推薦
判妖邪
韓棟,趙黛溪,都桂宇,劉旭,宋海頡十分鐘2024
芭芭拉·朗奇,瑪格麗塔·布伊,Fotinì Peluso校園鬼降瘋
Liyana Jasmay不留活口
楊子驊,洪洋,杜玉明,邵帥,李琦,王幸子,李明,陳劍,張露,宋成森,李浩軒一個悲傷而美麗的世界
穆尼亞·阿克,朱莉婭·卡薩,Alex Choueiry,Hasan Akil,Geana Restom,Marcel Jabbour,Anthony Karam,Walid Haddad,Sandy Chamoun,卡米爾·薩拉米,Michael Karam,Joseph Zeitouni,Stephanie Nohra,Nadyn Chalhoub,Cherine Khoury,Edwin Hage,Rabih Ahmar,Sharif El Yahchouchi Zgheib,Jad Ghorayeb愛上平行時空的你
米拉·埃爾紹娃,尤里·納索諾夫,安東·瓦西利耶夫,柳德米拉·阿爾捷米娃,安東·阿爾特梅夫,埃爾尚·阿列斯克羅夫,納德茲達·伊萬諾娃,羅扎·哈伊魯林娜,瑪麗亞·克羅托娃,尤里·李,康斯坦丁·梅爾茲利金,葉夫根尼·塔庫耶夫同類精選
絕命空間站
Julia Franz Richter,喬治·布萊頓,馬克·伊瓦涅開放日
Anna Paquin,Stephen Moyer,Tricia Helfer,Jessica Collins雛菊1966
雅羅斯拉夫·庫切拉,伊萬娜·卡爾班諾娃,埃斯特爾·克倫巴赫喬娃,伊特卡·采爾霍娃,Marie Cesková,Jirina Myskova,Marcela Brezinová,Julius Albert,Oldrich Hora,Jan Klusák,Václav Chochola,Josef Konícek,Jaromír Vomácka,Miroslava Babúrková,J. Bartos,Oldrich Basus,Jirina Cesková開麥了嗎?
威爾·阿奈特,布萊德利·庫珀,塞倫·希德,勞拉·鄧恩,艾米·塞德麗絲,西恩·海耶斯,克斯汀·埃伯索爾,斯萬米·薩姆派奧,安德拉·戴,佩頓·曼寧,加布·法齊奧,迪倫·比克爾,喬丹·詹森,Scott Icenogle,湯姆·約翰遜,Chloe Radcliffe,德里克·蓋恩斯,蘭登·威爾森,Reggie Conquest,Seyler Fox弗蘭肯斯坦的新娘
Sev Philippou,Nick Launchbury,Vincent Donato逆向誘拐
蘇麗珊,吳肇軒,邵仲衡,朱鑒然,梁曉豐,陳曾寧,泰臣,蔣祖曼,楊秉基,岑珈其,黃修平,王敏德,葛民輝,曾翠珊,賴恩慈,張雪芹,曾江,陳豪,邵音音,何故,黃竣鋒,梁雍婷,吳良榮,袁文杰,周群達,覃恩美,古天祥,許博文影視排行
獵殺超自然
約翰·威爾士,Darren Lee Cupp,艾迪森·格蕾絲·倫道夫A gunslinger on a mission from God must track down supernatural creatures as penance for his past sins.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
紅樓夢1944
周璇,王丹鳳,袁美云,白虹林黛玉(周璇 飾)和薛寶釵(王丹鳳 飾)相繼來到賈府定居,賈寶玉(袁美云 飾)對她們的到來感到非常高興。賈寶玉和黛玉對世俗仕途和經濟繁華持有反感,盡管他們之間有深厚的感情,但彼此不時發生誤會,親疏之間產生變化。寶釵多次勸告寶玉致力于仕途,但寶玉對此感到反感。賈母一方面寵愛寶玉,同時又希望通過婚姻來束縛寶玉。大小姐元春,在她回家省親時選定了寶釵作為婚姻的對象。王熙鳳(白虹 飾)在其中起到了推波助瀾的作用,最終通過掉包的計策破壞了寶玉和黛玉之間的愛情。林黛玉在病榻上心灰意冷而去世。賈寶玉在新婚之夜發現自己受到欺騙,在為林黛玉祭奠之后,拋棄了通靈寶玉,決定離開塵世,出家修行。
玉米地的小孩:大逃亡
瑪茜·米勒,Molly Nikki Anderson,Blaine Maye,Lynn Andrews III,JR Hatchett,Mary Kathryn Bryant,Jake Ryan Scott,Sara Moore,Gavin Taylor,Debbi Tucker,Glenda Taylor,Cacky Poarch,Tom Allen,Tyler Corbin,Daria Balling,William Sturgeon年輕的孕婦露絲逃脫了兇殘的兒童邪教。在接下來的十年里,她匿名生活,試圖使兒子免遭她小時候所經歷的恐怖,但有邪惡跟著她,現在,她必須面對邪惡,或者失去孩子……