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賞金獵豬
安迪·瑟金斯,杰森·蘇戴奇斯,雷恩·威爾森,洛琳·阿什伯恩,魯保羅,謝爾碧·楊,Flavor Flav,莉莉·辛格,查爾斯·阿德勒,阿妮塔,漢納·蓋茨比賞金獵豬，一只被人類雇傭去抓捕那些逃亡動物的豬。在追捕一只從一個邪惡馬戲團逃亡的大象過程中，但卻陷入了一場兩只動物的全球冒險之中，這也在慢慢改變他的一些觀念。
芭比之魅力公主學院
莫溫娜·班克斯,妮科爾·奧利弗,塔比莎·杰曼,凱莉·梅茲格,布里特妮·威爾遜,Bethany Brown,阿里·利伯特,瑪德琳·彼得斯,和美·埃文斯,珊農·陳-肯特,李·陶克,凱西·薇瑟樂克,米蘭達·拉姆-諾爾特 Miranda Ram-Nolte蘇菲亞（Diana Kaarina 配音）是一位出生高貴的公主，不幸的是，很小的時候，她的母親就遭到邪惡的德溫女爵士陷害，去世了，而蘇菲亞也就此下落不明。為了扶持自己的女兒德蘭西公主登上王位，德溫女爵士不惜向世人謊稱蘇菲亞已死，以完成自己的野望。流落民間的蘇菲亞十分幸運地得到了一位善良母親的照料和撫養，長大后，她成為了一名飯店服務員，對于自己的身世，她一無所知。一次偶然中，蘇菲亞來到了公主學院讀書，在學院里，母親的畫像揭示了蘇菲亞的真實身份。在善良的德蘭西公主的幫助下，蘇菲亞能否戰勝德溫女爵士，奪回本該屬于自己的東西呢？
鉆石般的她
路易莎·拉涅瑞,杰絲敏·特麗卡,斯特凡諾·阿科爾西,盧卡·巴爾巴羅薩,薩拉·博西,洛雷達納·卡納塔,杰皮·庫奇阿里,安娜·費澤蒂,奧羅拉·喬維納佐,妮可·吉瑪多,米萊娜·曼奇尼,維尼喬·馬爾基奧尼,葆拉·米納喬尼,愛多阿多·普爾加托里,卡爾米內·雷卡諾,艾萊娜·索菲亞·里奇,盧妮塔·薩維諾,凡妮莎·斯卡萊拉,卡拉·西格諾里斯,卡夏·斯穆特尼亞克「人可生如蟻而美如神」：一班裁制亮麗戲服的中年裁縫慨嘆自己生如蟻，一名奧斯卡導演拍出她們美如神的生命。導演邀約一眾他熱愛的演員，重塑一家高級裁縫工作室色彩斑斕、五味集陳的過往，追憶70年代一班堅毅溫柔的女裁縫的故事：表面盛勢凌人卻細膩體貼的老板、善良卻抑郁的妹妹拍檔、單純的寡婦和她的小兒子、偏愛小鮮肉的姨姨、被家暴的妻子、昔日美艷的舞者、逃避通緝的少女??一群日常女子拋開小我、互相照顧，照亮平凡生活中超越自我的不平凡，展現她們的獨立、愛欲、掙扎和力量。意大利金像獎觀眾人次最高獎意大利銀絲帶獎年度電影
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
侵略機器
約書亞·迪亞茲,阿蘭·里奇森,丹尼斯·奎德,杰·科特尼,埃塞·莫拉雷斯,杰克·派頓,丹尼爾·韋伯,凱南·朗斯代爾,大衛·湯姆林森,史蒂芬·詹姆士,喬伊·維埃拉,杰克·萊恩,克里斯托弗·卡比,詹姆斯·博福特,Matt Testro,Victory Ndukwe,Blake Richardson,Jacob Hohua,Heather Burridge,Will Curtin在美國陸軍游騎兵選拔的最后階段，一支精英團隊的訓練演習變成了與一種難以想象的威脅之間的生存之戰。
一個明星的誕生1976
芭芭拉·史翠珊,克里斯·克里斯托弗森,加里·布塞,奧利弗·克拉克,Marta Heflin,莎莉·柯克蘭德,喬安妮林維爾,保羅·馬祖斯基,斯蒂芬·布魯頓,Donnie Fritts,Booker T. Jones,Jerry McGee,比爾·格雷厄姆,麗塔·考里基,托尼·奧蘭多,伊索·阿克瑞恩,羅伯特·英格蘭德,梅迪·諾曼,Susan Richardson本片是同一故事第三度重拍的版本。此片將好萊塢的背景改成今日的搖滾樂壇，男主角原是著名的搖滾樂歌手，而女主角則在小型夜總會賣藝。影片中有不少熱門插曲，部分片段的鏡頭和表演都不俗，但整體則顯得有點矯揉造作，角色欠缺真正的生命感，不過娛樂性還是維持相當水準。本片曾獲奧斯卡最佳電影插曲金像獎。