即刻觀影
劇情賞析
編輯推薦
黑煞女2
丘普朗·阿瑞昆,杰克林·坤萬齊提柴★ 強勢登頂泰國首周票房冠軍，終結【阿凡達：火與燼】四連霸紀錄！ ★ 挑戰感官極限的超尺度降頭獵殺，刷新「虐胃觀影」恐怖天花板！ ★ 徒手撕下顎、精蟲灌腦髓、滾鉛水灌喉，直擊咒術酷刑血腥實錄！ ★ 最生猛的南洋降頭禁術，殘虐指數破表，恐懼無處可逃！ 劇情簡介 血腥降頭獵殺，一個都別想跑… 出生自帶詛咒的潘娜（丘普朗阿瑞昆 飾）順利考取大學，原以為能埋葬過去、重啟新生。怎知她和好友小敏（萍瑪達柴莎索恩 飾）竟在新生活動後，慘遭六名學長姐殘酷霸凌。在導師制止後，對方反而變本加厲，私下求助降頭師施以致命巫術，卻意外喚醒潛藏在潘娜體內的「三眼神」邪力。獵人與獵物身份瞬間反轉。覺醒後的潘娜，信手捻來皆是索命降術，以牙還牙展開血色清算。一場終極獵殺就此引爆，誰也別想活著離開這場血色祭典！
無論如何我愛你
這部精美的動畫短片由編劇/導演威爾·麥柯馬克和邁克爾·戈維爾聯手打造。在悲劇發生后，一對父母失去了孩子，傷心欲絕的他們要面對隨之而來的失落感。
剩餐
卡洛斯·卡瓦略,勞拉·讓·馬什,Sumit Chakravarti,Eleonora Cucciarelli,Alvaro Flores,Shun Yin是一部關于卡洛斯的藝術之家故事片，他是一位住在倫敦的受折磨的藝術家。卡洛斯遇到維羅妮卡，一個另一個世世的女人時，對生活的看法發生了變化。
派對島上的危險
林賽·德雷斯巴赫,Andrea Prevatt,James Bobo,Kate Dailey性格內向的律師梅爾·戴爾得知她愛冒險的妹妹突然去世后感到悲痛欲絕。但當她前往收集姐姐的尸體時，她很快就懷疑有人謀殺。她可能是下一個。
龍口走蛟
備案單位愛奇藝影業(重慶)有限公司 梗概：龍口鎮近來怪事不斷，外鄉人青云子和張不平游歷至此，意外卷入神秘事件當中，他們最終揭開真相，守護了龍口鎮的安寧。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.