婚戒

國寶2025

本片改編自吉田為了采訪3年，穿著歌舞伎的黑衣進入后臺的經驗而寫出的長篇小說，出生于任俠一門、投身于歌舞伎世界、將青春獻給演藝之路的喜久雄，賭上自己的生命去追求無盡的夢想的宏偉故事：舞臺是從戰后到高度經濟成長期的日本。出生于任俠家族的喜久雄，遭遇了數奇的命運，被拽到歌舞伎演員的家中。不久后，在動蕩的人生中，他作為歌舞伎演員的才能開花結果。

豬豬俠·一只老豬的逆襲

　　過氣頂流也有逆襲夢！曾經的男神豬豬爆竟淪落到以送外賣為生？！一次偶然之下，他獲得了擔任電影男主的機會，但這個劇組并不“簡單”，為豬豬爆的男主之路埋下重重關卡。面對N重考驗，他能否逆襲成功？

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

劫車王

　　白天，他們是隱形的——豪華酒店的服務員、女招待和調酒師。到了晚上，他們就是劫車者，一群熟練的司機，在路上追蹤和搶劫富有的客戶。當他們計劃最終的搶劫時，酒店經理雇傭了一名無情的殺手，不惜一切代價阻止他們。隨著危險的臨近，諾拉、佐伊、史蒂夫和普雷斯頓能取得迄今為止最大的成績嗎？

寬恕我們

A story of redemption in a world gone dark.

最后的吸血鬼

 該片是押井守參與制作的一部動畫電影。獲2002年斯圖加特國際動畫電影節最佳長篇獎，獲2001年日本文化廳文化廳MEDIA藝術祭動畫大賞。1966年秋天，越南戰爭期間，在日本國內的美國空軍橫田基地內，不時可見F4幻影戰斗機頻繁起降，空氣中充斥著一股殺戮的氣氛；就在此時，基地附近的市區連續發生了離奇的命案。 地下鐵，銀座線，正駛著通往淺草的最后一班列車，一名少女出現在空蕩的車廂內，她擁有令大人感到刺眼的眼神，緊閉著雙存欲訴說她內心的真正意念，她的名字叫小夜(SAYA)；她是“組織”為了打倒潛伏于人類社會里的吸血鬼“翼手”，因而派遣至人類社會的救世主。 穿著水手服的小夜，手持日本武士刀作為武器，潛入了基地內的美國學校。一柄冷血無情的武士刀，是她消除邪魔、保護人類的武器。而她身體里這一半的人性，可能就是她打敗敵人的秘訣……

上?？燔?/h3> 瑪琳·黛德麗,克里夫·布洛克,黃柳霜,華納·歐蘭德,尤金·佩里特,勞倫斯·格蘭特,Louise Closser Hale,古斯塔夫·馮·賽費蒂茨,埃米爾·肖塔爾,George Blagoi,李奧納多·凱瑞,George Chung,Wong Chung,Jack Deery,赫伯特·埃文斯,馮威利,福里斯特·哈維,Claude King,James B. Leong,Miki Morita,黃自強

 故事發生在一列行駛在中國大地的火車上，背景是中國內戰時期。黛德麗扮演“上海莉莉”，從事茶花女式的職業。她在列車上跟舊情人邂逅，由此引發出一些故事。對于這位她一直念念不忘的英國軍官，她百般示好挑逗，他卻妒恨交加，不肯重拾舊愛。在半途被軍閥攔檢時，他為了阻止軍閥對她動手動腳，出手打人；她則為了救他，同意委身軍閥。往上海的路上，對生命跟愛情，都是一場嚴酷的考驗。