十八,十九

★ 2.4 播放:51萬 更新:2026-06-02
主演: 裴光秀/

瑞雅(白珍熙 飾)和浩亞(劉延熙 飾)是一對感情十分要好的兄妹,幾乎形影不艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。隨著時間的推移,瑞雅和浩亞都漸漸長大,進入青春期后,瑞雅發(fā)現(xiàn)自己對哥哥產(chǎn)生了超越了親情的感情。無法壓抑心中的悸動,瑞雅終于向浩亞告白了,為了逃避心中的不知所措,浩亞和名叫斗美(嚴賢京 飾)的女生開始了交往,心痛萬分的瑞雅亦轉而向拳擊部前輩日康(金正憲 飾)尋求安慰。  就這樣,四名青蔥男女的命運和愛情糾葛到了一起。為了排解心中的壓抑,浩亞迷上了拳擊,頗具天賦的他很快就站在了新人錦標賽的拳擊臺上,而他所要面臨的對手不是別人,正是日康。

在線播放

劇情簡介

瑞雅(白珍熙 飾)和浩亞(劉延熙 飾)是一對感情十分要好的兄妹,幾乎形影不艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。隨著時間的推移,瑞雅和浩亞都漸漸長大,進入青春期后,瑞雅發(fā)現(xiàn)自己對哥哥產(chǎn)生了超越了親情的感情。無法壓抑心中的悸動,瑞雅終于向浩亞告白了,為了逃避心中的不知所措,浩亞和名叫斗美(嚴賢京 飾)的女生開始了交往,心痛萬分的瑞雅亦轉而向拳擊部前輩日康(金正憲 飾)尋求安慰。  就這樣,四名青蔥男女的命運和愛情糾葛到了一起。為了排解心中的壓抑,浩亞迷上了拳擊,頗具天賦的他很快就站在了新人錦標賽的拳擊臺上,而他所要面臨的對手不是別人,正是日康。

導演精選

來聊聊須緒美吧

 三谷幸喜自編自導。大富豪的妻子須緒美突然失蹤,在得知她失蹤后,在丈夫居住的豪宅集結的是愛過她的5個男人。但是他們所說的須緒美,無論是外表還是性格,都像是換了一個人。那么,到底須緒美的真面目是什么呢?

草莓月亮

本片改編自同名小說。櫻井萌(當真亞美 飾)從小體弱多病,無法上學,也沒有朋友,每天獨自度過時光。她一直有一個小小的夢想——在自己生日那天,與喜歡的人一起觀賞據(jù)說能讓戀人永遠相守的六月滿月“草莓月亮”。然而,15歲那年冬天,她被告知生命所剩無幾。                                                                        從醫(yī)院回家的路上,萌邂逅了命中注定的人,并下定決心進入高中就讀。入學典禮當天,她在初次見面的情況下,向同班同學佐藤日向(齋藤潤 飾)突然告白,人生第一次戀愛就此開始。終于到了共賞草莓月亮的那一天,但從那天起,萌突然從學校消失,日向再也無法聯(lián)系上她。而萌離開的真相,以及13年后傳來的秘密究竟是什么…

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster