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紫禁城
劉亞西,恩里科·博雷洛,薩布麗娜·費(fèi)里利,馬可·賈利尼,盧卡·津加雷蒂,淳于珊珊In the suburbs of Rome two very different souls intersect. One is the son of a restaurant owner who disappeared with his lover. The other is a young mysterious woman who has arrived from China in search of her missing sister.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
探子阿堅(jiān)：無(wú)頭奇案
玉葉,國(guó)輝故事發(fā)生在大約200年前的越南阮朝，探子阿堅(jiān)受某村莊的邀請(qǐng)，前來(lái)調(diào)查神秘失蹤的案子....
隱市英雄
彭禺厶,王莎,連奕名,來(lái)喜,于莉紅,張家豪,馬詩(shī)紅,翟星月,崔顥嚴(yán)喜劇/動(dòng)作 出品公司：愛奇藝 制作公司：愛奇藝、天藝星杰影視 出品人：龔宇 總監(jiān)制：王曉輝 總制片人：楊海濤 行政監(jiān)制：王兆楠 監(jiān)制：張家豪 導(dǎo)演：崔俊杰 制片人：楊洋、李洋、於夢(mèng)迪、張瀟子、王茜 執(zhí)行制片人：谷雷
機(jī)械怪獸
喬治·納德,Claudia Barrett
巍巍昆侖
張克瑤,蘇林,路希,劉懷正,郭法曾,傅學(xué)誠(chéng),雷飛,黃梅瑩,孫飛虎,張梅棣,劉錫田,王關(guān)鵬,張春祥,孫飛鵬,祝普恭,張明,倪以臨,王振江,徐光明,金濤,陳繼銘,鮑烈,傅忠貴,李仁堂,胡之琪,潘凡,王國(guó)亮,瑪麗·弗萊德曼,費(fèi)南德,楊兆金,梁克鵬,孫克敏1947年春，蔣匪對(duì)我山東、陜北根據(jù)地發(fā)動(dòng)重點(diǎn)進(jìn)攻，毛澤東（張克瑤 飾）運(yùn)籌帷幄，作出戰(zhàn)略撤出延安的決定，用中央機(jī)關(guān)“昆侖縱隊(duì)”牽制胡宗南（王振江 飾）主力。彭德懷（雷飛 飾）打響蟠龍戰(zhàn)役，生擒敵旅長(zhǎng)，繳獲頗豐。毛澤東審時(shí)度勢(shì)，令山東陳、粟部打響萊蕪戰(zhàn)役、孟良崮戰(zhàn)役，殲敵數(shù)萬(wàn)，重創(chuàng)了蔣軍主力。國(guó)統(tǒng)區(qū)“反饑餓、反內(nèi)戰(zhàn)”呼聲日漸高漲，蔣介石下令鎮(zhèn)壓，并令胡宗南務(wù)必殲滅“昆侖縱隊(duì)”，胡的努力一次次落空。毛澤東主持召開的小河口會(huì)議為我軍戰(zhàn)略反攻奠定了理論基礎(chǔ)，彭德懷在沙家店殲滅敵三十六師，劉鄧大軍挺進(jìn)大別山，其他各野戰(zhàn)軍也都轉(zhuǎn)入戰(zhàn)略反攻。雪后的五臺(tái)山上，毛澤東感慨地說(shuō)：最多兩年，我們就可飲馬長(zhǎng)江，直搗南京......