愛的發電轉圈圈

★ 9.7 播放：28萬 更新：2026-06-11
主演： 山﨑邦紀/

『オナニー☆マイスター』を名乗る海星（東凜）は、エクスタシーによって生み出されるエネルギーから自家発電をする新たな研究をしていた。一方、『睪丸系男子?ボールズ本舗』の代表?ボールズは、《世界はまず、睪丸ありき》の標語を掲げ、睪丸系男子として活動していた。ある日、鮭尾という男がボールズ本舗を訪ね、妻の香魚子（西內るな）を結婚以來一度もエクスタシーに導けない悩みを相談しに來る。また、時を同じくして妻の香魚子は海星の実験室を訪ねてくるのだが海外影視網

在線播放

劇情簡介

『オナニー☆マイスター』を名乗る海星（東凜）は、エクスタシーによって生み出されるエネルギーから自家発電をする新たな研究をしていた。一方、『睪丸系男子?ボールズ本舗』の代表?ボールズは、《世界はまず、睪丸ありき》の標語を掲げ、睪丸系男子として活動していた。ある日、鮭尾という男がボールズ本舗を訪ね、妻の香魚子（西內るな）を結婚以來一度もエクスタシーに導けない悩みを相談しに來る。また、時を同じくして妻の香魚子は海星の実験室を訪ねてくるのだが海外影視網

導演精選

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

棋盤上的向日葵電影版

改編自柚月裕子撰寫的同名小說，講述山中發現一具尸體，線索是將棋子，且是這個世界上僅存七枚的棋子。嫌疑人指向了上條圭介，一個突然出現在將棋界的天才，他在壓倒職業將棋手后成為了風云人物。 　　在調查過程中，一個以賭棋為生的江湖人物東明重慶浮出水面，圭介神秘的成長經歷也最終被揭開。那是難以想象的殘酷歷程……

人證1977

　　死于東京皇家飯店電梯里的美國黑人青年被人發現后，警方展開調查，從死者遺物中，知曉其名叫焦尼，并推斷其來日目的是為找尋生母。根據種種線索，警方來到某溫泉，發現知情人已被殺害，但還是知曉了知名服裝設計師八杉恭子（岡田茉莉子）當年曾與一美國黑人士兵在此同居之事，遂派警官棟居（松田優作）前去美國向紐約警察肖夫坦（喬治?肯尼迪）求證。　　求證過程中，棟居陷入歷史記憶與民族情結中，幾欲將眼前的美國人尤其肖夫坦與當年在日本犯下罪行的劊子手混為一談，但終回復理智完成了任務，將八杉恭子圈定為兇手，而八杉恭子不過也是歷史的受害者。