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咒書遠(yuǎn)古魔
Amir Nafis,Bidin Al ZaifaTwo friends work as cleaners whose jobs are to clean homes and places where people have died or dead bodies are found. One day, they are tasked with cleaning a house where there were three dead bodies inside. Their job is to clean the corpses that have rotted. When they arrived there, they found that there are strange things happening and then they discover a strange book.
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
無法磨滅
雷·利奧塔,Linda Fiorentino,彼德·考約特西雅圖發(fā)生一宗商店殺人案，曾被告謀殺親妻的法醫(yī)大衛(wèi)前往勘驗(yàn)。 無意中卻在兇案現(xiàn)場發(fā)現(xiàn)與妻子遭謀害時(shí)的相同線索，于是他決定展開調(diào)查。 然而調(diào)查工作始終毫無展獲，直到他在募款晚會中結(jié)識一位美麗的神經(jīng)學(xué)教授瑪莎。 瑪莎正研究某種特殊配方藥劑，可將老鼠的記憶力進(jìn)行移植。 這使得大衛(wèi)突發(fā)其想，偷走藥劑并將死者的記憶力注入自己體內(nèi)進(jìn)行人體試驗(yàn)，好一睹兇案經(jīng)過，找出兇嫌破案。 就在大衛(wèi)一心想幫助警方破案的同時(shí)，兇嫌卻在與警方對峙時(shí)中槍身亡。 失去唯一線索的大衛(wèi)，只能借用已死兇嫌的記憶找出下一步線索。 原以為到此即將結(jié)束的兇案及往日冤屈，卻在大衛(wèi)親身體驗(yàn)已死兇嫌的記憶過程中全面翻轉(zhuǎn)。 他發(fā)現(xiàn)了攸關(guān)自身的天大謊言…
皮皮魯和魯西西之309暗室
黃爽,劉蕊,李昕皮皮魯兄妹在自家衣柜發(fā)現(xiàn)309暗室，打開后遇到了科學(xué)家“覓工”并得到“致聰盔”。皮皮魯將“致聰盔”戴到了寵物“大傻”的頭上后，城市陷入癱瘓。皮皮魯和家人齊心協(xié)力戰(zhàn)勝“大傻”，魔方市恢復(fù)了原來模樣。
春光乍泄
張國榮,梁朝偉,張震,格利高里·戴頓黎耀輝（梁朝偉）與何寶榮（張國榮）是一對同性戀人，為了有新的開始，他們懷著美麗的夢想（去看南美洲大瀑布）離開香港來到阿根廷，卻在布宜諾斯艾利斯迷了路。黎耀輝想安下心來過日子，無奈何寶榮于夜夜笙歌中放縱著自己的生命，以期找尋更多的刺激，只當(dāng)黎耀輝是他受傷后的港灣，兩人分歧 、爭吵越來越多，心的距離越來越遠(yuǎn)。黎耀輝明白過去的日子不可能再復(fù)返時(shí)，決定離開何寶榮，而正是在他離開后，絕望的意味（對黎耀輝的愛）才在何寶榮的腦海中完整地浮現(xiàn)。